Ryan Cronin
Title: Roger That
Medium: Oil on Skateboard
Born on the front seat of a late 60's Plymouth Station Wagon, Cronin has kept his family, friends, and audience on their toes ever since.
Ryan Cronin is a contemporary American artist whose vibrant oil paintings on board offer an unfiltered commentary on modern life. His work is characterized by bold use of color and precise compositional elements, dynamically exploring color, form, and cultural resonance.
Primarily focused on painting, Cronin's artistic practice also encompasses public art installations, sculptures, and drawings. His style is deeply rooted in the DIY ethos of the 1980s, which profoundly shaped his approach to his artistic practice. His unique artistic voice, developed across various mediums, has established Cronin in contemporary art. The breadth and consistency of his work contribute to his growing influence in the art world.
Cronin's work has been featured in solo and group exhibitions across the United States and internationally. Notable venues include Gallery Red in Mallorca, Spain where his work hangs alongside Basquiat, Warhol, Hirst, Calder, etc, Lichtundfire Gallery in New York; The Dorsky Museum in New Paltz, NY; Katonah Museum of Art in Katonah, NY; and Yard Dog Gallery in Austin, TX. Since 2015, Cronin has maintained a permanent gallery and shop dedicated to his work in the Hudson Valley, NY. His artistic extends beyond traditional gallery spaces, with public art projects in New York City and Wynwood, Miami, FL. Cronin's work is held in corporate and private collections globally, further solidifying his international presence in the art world.
In 2019 Cronin participated in The Thread Artist Residency in Senegal through the Josef and Anni Albers Foundation, followed by a studio collaboration at Bankuba Art, Tambacounda, Senegal, with the artist Saliou Diop in 2023. In 2022 his painting, Obama Big Left, was selected for the permanent collection of the Obama Presidential Center in Chicago. Cronin received his BFA from the State University of New York at New Paltz. He lives and works with his family in New Paltz, NY.
Artist Statement
The DIY ethos of the 80s underground art scene ignited my creative passion and remains the foundation of my artistic practice. This influence has evolved into a focused study of color, composition, and placement in response to the world around me. I am, first and foremost, a painter, creating large-scale works mainly on board that allow for bold, immersive compositions with a physical presence.
My paintings are characterized by complex compositional structures achieved through the purposeful application of paint. The high-gloss finish lends an almost industrial quality, while visible brushwork and paint thickness reveal the human touch, creating an intriguing tension and depth. I use color with precision to evoke specific feelings and guide the viewer's experience, employing intentional markings to direct the eye across the board, much like text guides a reader through a book.
Creating art is an innate compulsion for me, an instinctive drive deeply rooted since childhood. I vividly remember exploring my father’s woodshop, scavenging scraps of wood and crafting boats and keychains - tangible objects born from the freely available materials around me. The act of transforming raw components into purposeful forms has been a lifelong pursuit, long before I even realized I was making art.
My practice has expanded beyond the studio to include public art installations and community-building initiatives. The Thread Artist Residency in Senegal broadened my perspective on how art can function in various contexts and cultures. This evolution has opened me to new ideas about activating artwork through audience experience and interaction. The work now extends beyond the piece itself and draws upon the audience as part of the act of creating art.
Whether in galleries or public spaces, my art aims to visually and intellectually engage viewers. I've come to understand the power of using my art as a vehicle to support principled projects and initiatives to effect positive change in the world. My approach now balances creating physical artwork with fostering connections and supporting meaningful initiatives.
My artistic practice is a synthesis of deliberate studio work and engaged public art, rooted in the DIY spirit but refined through years of focused study and experimentation. Through bold visual statements and thoughtful placement, I strive to create art that resonates with viewers, provokes thought, and contributes to broader conversations about our shared human experience.
Title: Roger That
Medium: Oil on Skateboard
Born on the front seat of a late 60's Plymouth Station Wagon, Cronin has kept his family, friends, and audience on their toes ever since.
Ryan Cronin is a contemporary American artist whose vibrant oil paintings on board offer an unfiltered commentary on modern life. His work is characterized by bold use of color and precise compositional elements, dynamically exploring color, form, and cultural resonance.
Primarily focused on painting, Cronin's artistic practice also encompasses public art installations, sculptures, and drawings. His style is deeply rooted in the DIY ethos of the 1980s, which profoundly shaped his approach to his artistic practice. His unique artistic voice, developed across various mediums, has established Cronin in contemporary art. The breadth and consistency of his work contribute to his growing influence in the art world.
Cronin's work has been featured in solo and group exhibitions across the United States and internationally. Notable venues include Gallery Red in Mallorca, Spain where his work hangs alongside Basquiat, Warhol, Hirst, Calder, etc, Lichtundfire Gallery in New York; The Dorsky Museum in New Paltz, NY; Katonah Museum of Art in Katonah, NY; and Yard Dog Gallery in Austin, TX. Since 2015, Cronin has maintained a permanent gallery and shop dedicated to his work in the Hudson Valley, NY. His artistic extends beyond traditional gallery spaces, with public art projects in New York City and Wynwood, Miami, FL. Cronin's work is held in corporate and private collections globally, further solidifying his international presence in the art world.
In 2019 Cronin participated in The Thread Artist Residency in Senegal through the Josef and Anni Albers Foundation, followed by a studio collaboration at Bankuba Art, Tambacounda, Senegal, with the artist Saliou Diop in 2023. In 2022 his painting, Obama Big Left, was selected for the permanent collection of the Obama Presidential Center in Chicago. Cronin received his BFA from the State University of New York at New Paltz. He lives and works with his family in New Paltz, NY.
Artist Statement
The DIY ethos of the 80s underground art scene ignited my creative passion and remains the foundation of my artistic practice. This influence has evolved into a focused study of color, composition, and placement in response to the world around me. I am, first and foremost, a painter, creating large-scale works mainly on board that allow for bold, immersive compositions with a physical presence.
My paintings are characterized by complex compositional structures achieved through the purposeful application of paint. The high-gloss finish lends an almost industrial quality, while visible brushwork and paint thickness reveal the human touch, creating an intriguing tension and depth. I use color with precision to evoke specific feelings and guide the viewer's experience, employing intentional markings to direct the eye across the board, much like text guides a reader through a book.
Creating art is an innate compulsion for me, an instinctive drive deeply rooted since childhood. I vividly remember exploring my father’s woodshop, scavenging scraps of wood and crafting boats and keychains - tangible objects born from the freely available materials around me. The act of transforming raw components into purposeful forms has been a lifelong pursuit, long before I even realized I was making art.
My practice has expanded beyond the studio to include public art installations and community-building initiatives. The Thread Artist Residency in Senegal broadened my perspective on how art can function in various contexts and cultures. This evolution has opened me to new ideas about activating artwork through audience experience and interaction. The work now extends beyond the piece itself and draws upon the audience as part of the act of creating art.
Whether in galleries or public spaces, my art aims to visually and intellectually engage viewers. I've come to understand the power of using my art as a vehicle to support principled projects and initiatives to effect positive change in the world. My approach now balances creating physical artwork with fostering connections and supporting meaningful initiatives.
My artistic practice is a synthesis of deliberate studio work and engaged public art, rooted in the DIY spirit but refined through years of focused study and experimentation. Through bold visual statements and thoughtful placement, I strive to create art that resonates with viewers, provokes thought, and contributes to broader conversations about our shared human experience.
Title: Roger That
Medium: Oil on Skateboard
Born on the front seat of a late 60's Plymouth Station Wagon, Cronin has kept his family, friends, and audience on their toes ever since.
Ryan Cronin is a contemporary American artist whose vibrant oil paintings on board offer an unfiltered commentary on modern life. His work is characterized by bold use of color and precise compositional elements, dynamically exploring color, form, and cultural resonance.
Primarily focused on painting, Cronin's artistic practice also encompasses public art installations, sculptures, and drawings. His style is deeply rooted in the DIY ethos of the 1980s, which profoundly shaped his approach to his artistic practice. His unique artistic voice, developed across various mediums, has established Cronin in contemporary art. The breadth and consistency of his work contribute to his growing influence in the art world.
Cronin's work has been featured in solo and group exhibitions across the United States and internationally. Notable venues include Gallery Red in Mallorca, Spain where his work hangs alongside Basquiat, Warhol, Hirst, Calder, etc, Lichtundfire Gallery in New York; The Dorsky Museum in New Paltz, NY; Katonah Museum of Art in Katonah, NY; and Yard Dog Gallery in Austin, TX. Since 2015, Cronin has maintained a permanent gallery and shop dedicated to his work in the Hudson Valley, NY. His artistic extends beyond traditional gallery spaces, with public art projects in New York City and Wynwood, Miami, FL. Cronin's work is held in corporate and private collections globally, further solidifying his international presence in the art world.
In 2019 Cronin participated in The Thread Artist Residency in Senegal through the Josef and Anni Albers Foundation, followed by a studio collaboration at Bankuba Art, Tambacounda, Senegal, with the artist Saliou Diop in 2023. In 2022 his painting, Obama Big Left, was selected for the permanent collection of the Obama Presidential Center in Chicago. Cronin received his BFA from the State University of New York at New Paltz. He lives and works with his family in New Paltz, NY.
Artist Statement
The DIY ethos of the 80s underground art scene ignited my creative passion and remains the foundation of my artistic practice. This influence has evolved into a focused study of color, composition, and placement in response to the world around me. I am, first and foremost, a painter, creating large-scale works mainly on board that allow for bold, immersive compositions with a physical presence.
My paintings are characterized by complex compositional structures achieved through the purposeful application of paint. The high-gloss finish lends an almost industrial quality, while visible brushwork and paint thickness reveal the human touch, creating an intriguing tension and depth. I use color with precision to evoke specific feelings and guide the viewer's experience, employing intentional markings to direct the eye across the board, much like text guides a reader through a book.
Creating art is an innate compulsion for me, an instinctive drive deeply rooted since childhood. I vividly remember exploring my father’s woodshop, scavenging scraps of wood and crafting boats and keychains - tangible objects born from the freely available materials around me. The act of transforming raw components into purposeful forms has been a lifelong pursuit, long before I even realized I was making art.
My practice has expanded beyond the studio to include public art installations and community-building initiatives. The Thread Artist Residency in Senegal broadened my perspective on how art can function in various contexts and cultures. This evolution has opened me to new ideas about activating artwork through audience experience and interaction. The work now extends beyond the piece itself and draws upon the audience as part of the act of creating art.
Whether in galleries or public spaces, my art aims to visually and intellectually engage viewers. I've come to understand the power of using my art as a vehicle to support principled projects and initiatives to effect positive change in the world. My approach now balances creating physical artwork with fostering connections and supporting meaningful initiatives.
My artistic practice is a synthesis of deliberate studio work and engaged public art, rooted in the DIY spirit but refined through years of focused study and experimentation. Through bold visual statements and thoughtful placement, I strive to create art that resonates with viewers, provokes thought, and contributes to broader conversations about our shared human experience.